30.5.10

Ella's Soul Food Sunday

Great time at Ella's today for my 1st official residency gig. I even stumped the Rev. Billy C. Wirtz on a lost doo-wop classic by The Monitors, Greetings from Uncle Sam. Saw allot of old friends and got to catch the Stolen Idols afterwards. Came home with some collard greens and a slab of maybe the most amazing Ribs ever, i kid you not!

Here is a sample of the set. as usual, click Here and download. Enjoy and hope to see you at Ella's this summer.



The Monitors - Greetings from Uncle Sam
Jimmy Holiday - I'm Gonna Help hurry My Brothers Home
Bobby Valentine - Use It Before You Lose It
Bill Moss - Sock It To 'Em
Andre Williams - Humpin', Bumpin' & Thumpin'
Calypso king & The Soul Investigators - Deep Fried Chitlins
The Meters - Cissy Strut
Ohio Players - Fopp
Curtis Mayfield - Future Shock
Ben E. King - Supernatural Thing

Fela! Zombie and Beast of no Nation

Fela Kuti (1938-1997) was a musician, composer, and political outlaw whose music and lifestyle were a form of resistance. Fela was born into a middle-class, Nigerian family. His mother was a feminist and anti-colonial activist. His father was a Protestant minister and school principal. Though his parents sent him to London in 1958 to study medicine, he studied music instead. Fela and his band, Koola Lobitos, invented what he would later call afrobeat. For Fela, afrobeat was more than a fusion of jazz, funk, psychedelic rock, and traditional West African rhythms and chants; it was also a critique of African musicians’ abandonment of their musical roots and their conformity to American pop music trends. Throughout his career, Fela challenged pop musical norms. Many of his songs were 20-30 minutes long—sometimes 45 minutes at live shows. Known for his showmanship, his concerts were called the “Underground Spiritual Game.” Fela also refused to perform a song after recording it. (Click here and here to download)

13.9.09

Louis Jordan (for LilQuay)


Louis Jordan was one of the most successful African-American musicians of the 20th century, ranking fifth in the list of the all-time most successful recording artists according to Billboard magazine's chart methodology. He scored at least four million-selling hits during his career. Jordan regularly topped the R&B "race" charts, and was one of the first black recording artists to achieve a significant "crossover" in popularity into the mainstream (predominantly white) American audience, scoring simultaneous Top Ten hits on the white pop charts on several occasions. After Duke Ellington and Count Basie, Louis Jordan was probably the most popular and successful bandleader of his day. But in contrast to almost all of his colleagues of all races, he was a major personality in his own right, an all-round entertainer of enormous and diverse accomplishments.

(click photo to download track!)

Jordan was a talented singer with great comedic flair, and he fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his day, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a major black film personality -- he appeared in dozens of "soundies" (promotional film clips), made numerous cameos in mainstream features and short films, and starred in two musical feature films made especially for him. He was an instrumentalist who specialized in the alto saxophone but played all forms of the instrument, as well as piano and clarinet. A productive songwriter, many of the songs he wrote or co-wrote became influential classics of 20th-century popular music.

With his dynamic Tympany Five bands, Jordan mapped out the main parameters of the classic R&B, urban blues and early rock'n'roll genres with a series of hugely influential discs for the Decca label. These recordings presaged many of the styles of black popular music in the 1950s and 1960s, and exerted a huge influence on many leading performers in these genres. Many of his records were produced by Milt Gabler, who went on to refine and develop the qualities of Jordan's recordings in his later production work with Bill Haley, including "Rock Around The Clock".

Ask Mr. Brown if he knew that!

29.8.09

EC for Sonal




I thought it would be easy to put together this compilation, but its hard when your favorite artist has been around for over 30 years. So here are 30 songs for your consideration. The first set is called " Declan MacManus", some of my favorite songs from 1977-2009. The second set is a compilation of the Costello/Nieve Box set that came out as a limited edition radio promo only set, but was so popular, people stole them from radio stations and sold them on Ebay for incredible prices. Warner Bros. chose to release it for a short time. It includes an incredible version on "My Dark Life" as well as a brilliant performance of a little known classic,"Why can't a man stand alone?" Click on the photos and enjoy!

16.8.09

Hey Tara, Enjoy!



Here they are. just click the photo and download. and if you don't have a tool to unzip, there is one on the right side of this page for MAC users. love u!

13.8.09

Tricky


30.7.09

Karma Exclusive!! For Sonal

24.5.09

Karma Stew #2 Countrified Soul


Karma Stew #1

21.5.09

Karma Punk Funk!!